CORPORATE & PRIVATE

Elevate Your Brand
Experience.

DJ Del Corporate Event NYC

Top Clients

Campari, SHEIN, The Bowery Hotel

Vibe

On-Brand + Professional

Services

Audio, Lighting, Production

Availability

Now Booking 2026

Events Done Right.

A company event shouldn't feel like work. The thing I care most about is working well with the people putting it on, because when everyone is on the same page the night runs itself. I think about the room as much as the music: where people will stand, where they'll talk, and where you want them by the end. The aim is a night that sounds like your brand and still feels like a party, so guests stay engaged, keep talking, and eventually start dancing.

01. Atmosphere (Arrival)

First impressions count. I keep it low and warm, usually lo-fi, jazz or neo-soul, so the room feels full without anyone raising their voice to be heard.

02. Engagement (Networking)

As the room fills up, the energy lifts. Funk, disco and records people half-remember. Upbeat enough to feel like something is happening, quiet enough that people can still talk business.

03. Celebration (The Party)

Once the speeches are done, the night opens up. I watch who's actually on the floor and play to them, and I keep an eye on how far your company culture wants to go.

Experience

Trusted by Global Brands & Venues

Campari, LinkedIn, Ziff Davis, Park Hyatt
Corporate & Retail
  • LinkedIn
  • Ziff Davis
  • Campari
  • Zacapa
  • Monkey Shoulder
  • SHEIN
  • Malin+Goetz
  • Gemspring
  • Columbia University
Venues & Hotels
  • Park Hyatt NYC
  • The Bowery Hotel
  • Manhattan Penthouse
  • Foxfire Mountain House
  • The Knowlton Mansion
  • Wild East Brewing
  • Giando on the Water
  • Marcy Blum Events
  • Russo’s on the Bay
Bars & Nightlife
  • Congress Bar (Resident)
  • Swingers Crazy Golf
  • Barely Disfigured
  • Bar Belly
  • Donnybrook
  • Luana's Tavern
  • Wicked Lady
  • Bar Calico
  • Dockys

Types of Events

Corporate covers a lot of ground. A product launch and a holiday party need almost opposite energy, and they're planned differently too.

Pop-Ups and Launches

Here the music is part of how the brand comes across, not background noise. Give me your brand guidelines and I'll work from them the way a designer would. Often paired with content for your channels. See the media kit for that side.

Holiday Parties

The hardest one to get right. Mixed ages, colleagues who don't usually socialise, and an open bar. It needs a slower build than a wedding, and some judgement about how loose this particular company actually wants to get.

Galas and Fundraisers

The schedule runs the night here, not the music. Speeches, awards and auctions all need clear sound and cues that land on time. My job is to keep the room warm between segments so it doesn't go flat, then open the floor properly once the formal part is done.

Retail and Showrooms

Long hours, people coming and going, and conversation that has to stay possible. Lower volume, steady tempo, no big moments. The goal is a room people want to stay in, not a dance floor.

Conferences and Networking

Music between sessions, during breaks and at the closing reception. Each needs a different volume and mood, and I'll help with the room's sound so a panel doesn't open with feedback.

Private Parties

Birthdays, anniversaries and apartment parties where the guest list is personal. Closest in feel to a wedding . The music has to reflect the host rather than a venue's house style.

What Planning Actually Looks Like

Most problems at a company event aren't about music. They're a speech that starts before anyone has a microphone, a load-in window nobody confirmed with the venue, or speakers pointed at the bar. That's why I care so much about working closely with whoever is running the night.

Before the day

Send me the run of show, the venue contact, and a sense of who'll be there. Rough ages, whether people know each other, whether this company dances. If there's a planner or production company, I'd rather speak to them directly than have messages passed along. Brand guidelines help if you have them.

On site

I handle sound, lighting and setup, so it's one conversation instead of three vendors texting each other. I get there early enough to sound-check properly and walk the room, because where people actually end up standing changes how it should be arranged.

During

The three stages above are a starting point, not a script. If the room wants something else, I follow the room. That's the whole reason to hire a person instead of pressing play, and it's why I don't lock a set list a week in advance.

The FAQ covers timing, equipment, deposits and what happens if plans change. If you'd rather hear it than read about it, the live sets are the honest version.

What Clients Say

From the people who booked me for company parties, brand events and private celebrations.

DJ Del is exceptionally talented. Over the past couple of years, he has helped to elevate my events at Ziff Davis.
Jeanette D, Ziff Davis
He was quick to respond, created amazing visuals in line with our brand guidelines and spun some amazing mixes as well.
Margaret B, LinkedIn
Del was a fantastic DJ for our company’s holiday party. Highly recommend.
Jen Zanetti, Gemspring
Everyone had a blast, the foam lights were a nice touch. Continue to kick ass.
Denise T, HR Manager
DJ Del played at our 50th birthday party and was brilliant. He read the crowd perfectly.
Doreen Arbel, Private Event

5.0 from 40 reviews on Google, and 5.0 from 23 reviews on Zola.

What Producers Usually Ask Me

If you book events for a living, these are the four things you need before you can put me on a run sheet.

Insurance and COI

I carry liability insurance and can send a certificate of insurance on request. Give me the venue name and whoever needs to be named as additional insured, and I’ll get it over. Most venues want this a couple of weeks out, so earlier is easier.

Gear and Tech Specs

I bring my own sound and lighting, sized to the room. If you need a full spec sheet for the venue or your production team, ask and I’ll send one. If there’s already a system in the building, I’m happy to plug into it instead. Just tell me what’s there.

Load-In and Timings

Tell me the load-in window, whether there’s a freight elevator, and how far the room is from the door. I plan around your schedule, not the other way round, and I’d always rather arrive early and wait than arrive on time and rush.

Rate

Non-wedding events start at $1,200. The final number depends on hours, how much gear the room needs, and whether you want lighting or a second setup for a separate space. Send me the details and I’ll give you a real figure rather than a range.

Written by Fidel Frias

I'm a Brooklyn DJ and Creative Director, and I write everything on this site myself. I'm the resident DJ at Congress Bar in Brooklyn, and I work weddings, company events and brand parties across the city. You can see the full client and venue list on the list further up this page.

If you want to know how I got here and how I think about music, the about page has the longer story. If you'd rather just hear what I sound like, start with the live sets and mixes. Questions about booking, pricing and timing are answered on the FAQ, and when you're ready, get in touch.

Planning an event? Let's make it memorable.

Every event is different. Tell me the date, the venue and roughly how many people, and I'll come back with a real number. Non-wedding events start at $1,200.